In The Connection, Leach (Warren Finnerty, right) and his friends wait around for their heroin fix, which eventually comes courtesy of Cowboy (Carl Lee). The controversial film was shut down in New York after two screenings in 1962.
Credit Richard Sylbert, Albert Brenner / Milestone Film
The set of The Connection with much of its cast. The film included a four-piece jazz band, assembled by pianist Freddie Redd, playing and soloing throughout.
Credit Milestone Film
Shirley Clarke, the director of The Connection, had strong ties to New York's independent film scene. She lent John Cassavetes equipment for his first film.
Fifty years ago, a movie called The Connection opened in New York — then closed after two showings. Police shut down the theater and arrested the projectionist.
The movie is about drug addicts, and the language is sometimes frank — too frank for 1962 standards. The director was an independent pioneer named Shirley Clarke, whose movie has been restored and is back in theaters, soon to be followed by restorations of nearly all her work.
U.N. General Assembly President Nassir Abdulaziz Al-Nasser, United Nations Secretary General Ban Ki-Moon, Brazilian President Dilma Rousseff, Brazil's Secretary of the Conference Luis Figueiredo Machado and Rio+20 Secretary General Sha Zukang attend the closing ceremony of the Conference on Sustainable Development in Rio de Janeiro on Friday.
The Rio+20 Conference on Sustainable Development was the biggest United Nations conference ever, but it may be one of the biggest duds. It produced no major agreements — just a vaguely worded declaration that has been widely derided.
More than 45,000 people registered for the event in Rio de Janeiro, but diplomats couldn't even agree about the meeting's objective until 2:45 a.m. on Tuesday, just before heads of state and other high-level delegates started arriving in Rio.
There are more than 5,300 inmates at the Louisiana State Penitentiary at Angola. Nearly 4,000 of them are serving life without parole. Last month, the Angola Prison Drama Club staged a play unlike any other in the prison's experience.
The Life of Jesus Christ featured 70 inmates, men and women acting together for the first time — in costume, with a real camel, performing for the general public. For the untrained actors, this production held special meaning as they saw pieces of their own lives revealed in the characters they played.