Mitt Romney, under attack over taxes, Bain and outsourcing, is having a terrible, horrible, no good, very bad month. But he's still tied with President Obama in nearly every poll. Plus, we weigh in on potential veeps, Ron Paul and Sarah Palin await their convention invites, Harry Reid complains, and Anthony Weiner mulls a comeback. Really.
Join NPR's Ken Rudin and Ron Elving in the latest installment of the It's All Politics podcast.
Eight hours ago, a gunman burst into a packed movie theater in Aurora, Colorado, tossed in a can of tear gas, and then opened fire. Those in the audience had lined up hours in advance to get seats for the world premier of the Batman movie, "The Dark Knight Rises." Many were dressed festively, in costume, but the movie and the evening ended in horror.
Many jazz musicians, the kind who wear jackets and ties on stage, are often carelessly referred to as playing bebop. In reality most of them are post-boppers, who build on that dynamic style that burst forth after World War II, without bringing it back in pure form. It's the rare modernist who gets an authentic bebop sound on alto saxophone, who catches some of the raw explosiveness and rapid-fire grace of jazz god Charlie Parker. And then there's Jesse Davis.
Pianist Eddie Palmieri has been given many nicknames. He's been called The Latin Monk because of his Thelonious Monk-inspired dissonances. He's been called The Piano Breaker Man, because he hits the keys so hard. He's even been called the 'madman of Latin music.' He's taken many of the innovations of modern jazz pianists and brought them into his Latin bands. But he's never stopped playing good dance music.
In 1994, Palmieri's lobbying culminated in the announcement of a new Grammy Award category for Afro-Caribbean Jazz.