Michael Kahn's theater passion sparked at a young age, and it has taken him to the highest ranks of classical theater. He's the former head of the drama division at New York's famed Juilliard School, has led theater companies in Connecticut and New Jersey, and has staged widely-acclaimed productions on- and off-Broadway. Now he's celebrating his 25 years as the artistic director of the Shakespeare Theatre Company in Washington, D.C. — which the London-based The Economist deemed one of the world's great Shakespearean theaters.
Roll Call, a newspaper that specializes on reporting from Capitol Hill, digs through the personal financial disclosure forms of elected officials every couple of years to look at trends in the aggregate.
In its analysis of this year's data, it found that "members of Congress had a collective net worth of more than $2 billion in 2010, a nearly 25 percent increase over the 2008 total..."
The New York City public schools recently sparked controversy with a new sex education curriculum that critics complain is too explicit. New York, and many other school districts, relies on curricula designed by outside experts. Guests talk about who decides what's included, and what's left out.
After decades of sometimes brutal military rule, there have been recent signs of change in Myanmar, formerly known as Burma. The government of Myanmar has embarked on what appears to be a series of confidence-building measures that have gotten the attention of the west and the domestic opposition.
NEAL CONAN, host: It's Tuesday and time to read from your comments. Our discussion with author and filmmaker Guillermo del Toro generated a lot of responses about what it really means to be a monster. Mary in Virginia Beach, Virginia, tweeted: It helps if a monster is physically terrifying. That definitely freaks me out. And Lisa Hermenez(ph) wrote: Monsters inspire our instinctual fears. As a result, we love to hate them.