Bob Mondello

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

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When Steven Spielberg was looking for someone who could make dinosaurs seem plausible in Jurassic Park, he asked fellow filmmaker Richard Attenborough to do something he hadn't done in almost 14 years: act. Plenty of performers could look at green screens and convey a sense of wonder. What Attenborough could do while playing the owner of Jurassic Park, figured Spielberg, was flesh out the bigger picture — the why. And when he did, it sounded almost as if he was stating the filmmaking credo he'd lived by all his life.

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BOB MONDELLO, BYLINE: He talked faster than the rest of us, he thought faster than the rest of us and now he has lived faster than the rest of. But, oh, the lives while he was with us.

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Movie theaters were swarming with Transformers this past weekend, and that'll also be true over the July 4 weekend. So this may not seem to be the best moment to bring out a sci-fi flick made on a budget that wouldn't cover catering for Optimus Prime. But "small" has its virtues sometimes, and the kid flick Earth to Echo is one of those times.

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This is ALL THINGS CONSIDERED from NPR News. I'm Melissa Block. The long Memorial Day weekend usually marks the start of Hollywood blockbuster season. But it's been well underway with "Godzilla" and "X-Men" already in theaters. That said, there are another 87 would-be hits scheduled before Labor Day. We asked critic Bob Mondello for a selective preview.

The final "X" in the 20th Century Fox logo glows for an extra second as X-Men: Days of Future Past gets started, but what follows is darker than dark — a bleak, dire future in which all of Manhattan is a mutant prison camp.

Here's a unique specialty for a movie studio: slavery films. Last year, Fox Searchlight brought us an Oscar winner about a free black man hauled into 12 years of slavery. Now, in Amma Asante's Belle, the company is releasing what's essentially the reverse of that story — a similarly torn-from-life (though significantly less wrenching) tale of a slave girl who had the great good fortune to be raised as a British aristocrat.

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