Christopher Blank

News Director

It all started with ghost stories. Dad convinced me that spirits lurked just outside my bedroom door at night. After years of night terrors, I began listening to LPs of spooky tales, memorizing them and acting them out around campfires on those balmy winter nights in South Florida. In this way, other children would suffer as I had.
 
Naturally, this dramatic flair evolved into a prestigious four-year engagement on the high school drama circuit where my mother’s rapturous reviews provoked standing ovations also from my mother.
 
One day, while working part time as a copy clerk at the St. Petersburg Times, an editor asked me why my hair was dyed bright orange. I explained that it was because I was “an actor.” Was my future decided out of pity? Out of concern for my mental health? I cannot read minds. However, the next thing that happened is that I was made a theater critic.
 
For more than a decade, The Commercial Appeal’s readers tolerated my opinions on everything from classical music to ballet. Even WKNO-FM let me create a little club for theatergoers.
 
When this fine radio station went looking for someone to tell stories of the “news” variety, I made the argument that Memphis is a city full of great stories; no other has a richer cultural narrative. The crossroads of America is a crucible of stories from all walks of life. Also, crossroads are known for ghosts and devils, and who doesn’t love those?
 
They totally bought the argument. So now, I’m looking for great stories. What’s yours?

Ways to Connect

It might be hard to imagine a time when ice was a luxury item. But for such times were made silver bowls like this one, found in the permanent collection of the Brooks Museum of Art. On this week's Culture Desk, curator Stanton Thomas describes this serving dish's unique significance in a Southern home. 


Christopher Blank

Will the General Assembly fund a $90 million new home for more than 200 years of state records? Or will librarians and archivists have to find another way to manage an impending overflow?


Christopher Blank

Leaders of Tennessee’s Freemasons voted Thursday to uphold a ban on gay men. Meeting in Nashville, the Grand Lodge of Tennessee held firm in the belief that homosexuality is un-Masonic, a view also shared by the Grand Lodge of Georgia.


When the Supreme Court legalized same-sex marriage nationwide last June, a couple of farmers in rural Somerville, Tenn., tied the knot.

The couple — Mark Henderson and Dennis Clark — say their neighbors responded within hours.

"We came home and there was a bottle of champagne in a potato salad bucket on the front porch," Henderson says.

But the response from another community, one that they've been actively involved in for years, wasn't as welcoming.

Simon Mott

One of Memphis' great producers and engineers is back in Memphis this week, revisiting old haunts, showcasing his photography and even performing at the Hard Rock Cafe. Terry Manning talks to WKNO about sound, imagery and his latest instrumental album.


Jim Eikner, whose courtly charm and debonair zest for life loomed large in Memphis' media sphere, died Wednesday at age 82. He had been the voice and face of WKNO-TV for nearly three decades.


Memphis Brooks Museum of Art

On this week's Culture Desk, Brooks Museum curator Marina Pacini offers the inside story on a colorful artwork called "The Family" that still raises eyebrows -- a Pop Art Nativity by the famed sculptor Marisol. The box-like figures, complete with neon halos, have been a conversation-generating part of the permanent collection since 1969.


The Replacements may not have risen to such heights as Wilco, R.E.M., Nirvana or any of the numerous alt-rock bands they influenced, but their music remains a critical favorite in the 1980s' canon. Bob Mehr, music writer at the Commercial Appeal recently penned the band's authoritative biography. Trouble Boys: The True Story of The Replacements lays out in gritty detail the band's most legendary episodes, including getting banned from Saturday Night Live and making a career-highlight album at Memphis' Ardent Studios with producer Jim Dickinson. 


Memphis Brooks Museum of Art

On this week’s Culture Desk, Brooks Museum curator Stanton Thomas asks: Was she worth it?

It’s the question that, in retrospect, seems to justify a $25,000 purchase of art work made by the City of Memphis under Mayor Walter Chandler in 1943. At the time, a huge civic debate erupted over the use of public money on fine art. The purchase from a St. Louis art collector included 38 paintings total; among them were works by Winslow Homer, George Inness and the oil on wood panel pictured here by Renaissance master Sofonisba Anguissola.


Leanne McConnell

A wedding photo on Facebook leads to the suspension of two Tennessee Freemasons, sparking debate within one of the country’s oldest secret societies.


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