David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
11:38 am
Fri October 12, 2012

'Argo': Too Good To Be True, Because It Isn't

CIA agents Tony Mendez (Ben Affleck) and Jack O'Donnell (Bryan Cranston) plan a risky mission to save six Americans trapped in Iran.
Claire Folger Warner Bros. Pictures

Originally published on Fri October 12, 2012 12:01 pm

Ben Affleck's Argo is two-two-TWO movies in one, and while neither is especially original, by merging them Affleck pulls off a coup. First, he gives you espionage with the You Are There zing of a documentary. Then he serves up broad showbiz satire. For his final feat, he blends the two into a pulse-pounding nail-biter of a climax. And this all really happened. Most of it. Except for that climax.

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Movie Reviews
3:12 pm
Thu September 27, 2012

'Looper': Time-Travel Nonsense, Winningly Played

Old Joe (Bruce Willis) and his younger self (Joseph Gordon-Levitt), two iterations of the same assassin, play a particularly personal game of cat and mouse in the time-travel thriller Looper.
Alan Markfield Sony Pictures

I adore time-travel pictures like Looper no matter how idiotic, especially when they feature a Love That Transcends Time. I love Somewhere in Time with Christopher Reeve and Jane Seymour, The Time Traveler's Wife, even The Lake House with Keanu Reeves and Sandra Bullock in different years sending letters through a magic mailbox. So terrible. So good. See, everyone wants to correct mistakes in hindsight, and it's the one thing we cannot do. Except vicariously, in movies.

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Movie Reviews
10:41 am
Fri September 21, 2012

The Art Of Preserving A High School 'Wallflower'

Charlie (Logan Lerman), Patrick (Ezra Miller) and Sam (Emma Watson) navigate the joys and pains of high school in The Perks of Being a Wallflower.
John Bramley Summit Entertainment

Originally published on Fri September 21, 2012 11:57 am

The hero of both the novel and the film The Perks of Being a Wallflower is a high school freshman loner named Charlie whose best friend committed suicide the previous spring. He's on psychiatric meds, lots of them, and still has blackouts and mysterious visions of a doting aunt who died when he was 7.

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Movie Reviews
12:10 pm
Fri September 14, 2012

'The Master': Filling A Void By Finding A Family

Joaquin Phoenix stars as Navy veteran Freddie Quell in The Master.
Phil Bray The Weinstein Company

Originally published on Fri September 14, 2012 12:45 pm

Paul Thomas Anderson's The Master is both feverish and glacial. The vibe is chilly, but the central character is an unholy mess — and his rage saturates every frame. He's a World War II South Pacific vet named Freddie Quell, played by Joaquin Phoenix to the hilt — the hilt above the hilt. We meet him at war's end on a tropical beach where he and other soldiers seek sexual relief atop the figure of a woman made out of sand.

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Movie Reviews
12:21 pm
Fri September 7, 2012

'Bachelorette' Sounds Dark Comedic Depths

Party Animals: Lizzy Caplan (from left), Isla Fisher and Kirsten Dunst play the brazen bridesmaids who make trouble for bride-to-be Becky (Rebel Wilson) in Bachelorette.
Radius-TWC

Originally published on Fri September 7, 2012 12:55 pm

Long before Bridesmaids convinced studio executives that a raunchy, female-centric comedy could find a huge audience, Leslye Headland was busy adapting her play Bachelorette into a movie. So this isn't a copycat rom-com, but the themes do overlap. Each film turns on a female rivalry: In Bridesmaids, it's between the maid of honor, Kristen Wiig, and the bride's rich friend, played by Rose Byrne. In Bachelorette, the rivalry is more complicated, more ... ugly. It's between the three, 30-ish, unmarried central characters and the bride.

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