John Powers

John Powers is the pop culture and critic-at-large on NPR's Fresh Air with Terry Gross. He previously served for six years as the film critic.

Powers covers film and politics for Vogue and Vogue.com. His work has appeared in numerous publications, including Harper's BAZAAR, The Nation, Gourmet, The Washington Post, The New York Times and L.A. Weekly, where he spent twelve years as a critic and columnist.

A former professor at Georgetown University, Powers is the author of Sore Winners, a study of American culture during President George W. Bush's administration.

He lives in Pasadena, California, with his wife, Sandi Tan.

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Movie Reviews
12:20 pm
Wed February 20, 2013

Voting Pinochet Out Was More Than Just A Yes Or 'No'

Gael Garcia Bernal stars as an advertising man in Chile under Pinochet in the 2012 film No, which is nominated for Best Foreign Language Film at the upcoming Academy Awards.
Sony Pictures Classics

Originally published on Wed February 20, 2013 12:40 pm

These days politics and advertising go hand in hand. Mayors stage photo ops. The Bush administration compared the Iraq war to rolling out a new product. And just last year, Barack Obama and Mitt Romney spent nearly a billion dollars running for president. If you're an American, such wall-to-wall marketing has come to seem a natural phenomenon, like Hurricane Sandy or LeBron James.

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Book Reviews
10:58 am
Wed February 6, 2013

A Mystery That Explores 'The Rage' Of New Ireland

Westbury iStockphoto.com

Originally published on Wed February 6, 2013 1:40 pm

The Irish novelist John McGahern once remarked that his country stayed a 19th-century society for so long that it nearly missed the 20th century. But in the mid-1990s, Ireland's economy took off, turning the country from a poor backwater into a so-called Celtic Tiger with fancy restaurants, chrome-clad shops and soaring real estate values. The country was transformed — until things came tumbling down during the 2008 financial crisis.

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Movies
2:44 pm
Wed December 5, 2012

Revisiting, Reappraising Cimino's 'Heaven's Gate'

Jeff Bridges as John L. Bridges, Isabelle Huppert as Ella Watson and Kris Kristofferson as James Averill in the 1980 Western Heaven's Gate, a director's cut of which was released in November.
Criterion Collection

Originally published on Fri December 7, 2012 8:38 am

The director Francois Truffaut once remarked that it takes as much time and energy to make a bad movie as to make a good one. He was right, but I would add one thing: It takes extraordinary effort to make a truly memorable flop.

The best example is Heaven's Gate, the hugely expensive 1980 movie by Michael Cimino that is the most famous cinematic disaster of my lifetime. It's part of that film's legend that it not only took down a studio, United Artists, but was the nail in the coffin of Hollywood's auteur filmmaking of the 1970s.

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Movie Reviews
1:47 pm
Thu November 15, 2012

The New British Empire: Pop-Culture Powerhouses

The HBO documentary Crossfire Hurricane, about The Rolling Stones, prompts critic John Powers to reflect on the band's five decades of fame.
HBO Films

It seems that every time you turn around, you find another anniversary of some big cultural or historical event. I'm weary of the media's habit of playing all these things up, so I'm abashed to admit I'm about to do just that.

But you see, in the same three-day period I recently saw the new James Bond picture, Skyfall, and Crossfire Hurricane, a new HBO documentary about The Rolling Stones. And because the Bond movies and the Stones both turn 50 this year, I began thinking about how they might fit together.

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Book Reviews
1:08 pm
Thu October 25, 2012

Portis 'Miscellany' Makes A High-'Velocity' Collection

Escape Velocity: book cover detail

Originally published on Thu October 25, 2012 2:31 pm

Whenever I hear someone called a "cult writer," my hackles jump toward the ceiling. It's not only that the phrase calls up images of self-congratulatory hipsters, but that writers who become cultish tend to do so because their work is steeped in bizarro sex, graphic violence, trippy weirdness or half-baked philosophy.

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