It's ALL THINGS CONSIDERED from NPR West. I'm Arun Rath.
In Mexico last month, the capture of the world's most wanted drug lord, Joaquin Guzman, was a shot in the arm to the country's war on drug trafficking. But that war is not over, not even close. And nowhere is that more evident than in the western state of Michoacan. Residents there say the local authorities are doing nothing to stop the drug cartels. So they're taking up arms by the thousands to do it themselves.
One of the options that the United States and the European Union are considering as a way to punish Russia is the use of sanctions. Here to discuss that with me is Matthew Rojansky. He's the director of the Kennan Institute at the Woodrow Wilson Center. Matthew, thanks for being with us.
The art show everyone loves to hate opens today in New York City. Every two years, the Whitney Museum of American Art hosts a show that's billed as an overview of art in America. The Whitney Biennial inevitably gets trashed by art critics, museum visitors and artists alike. As Karen Michel reports, this is the last biennial before the museum moves to a new building.
From NPR News, it's ALL THINGS CONSIDERED. I'm Melissa Block.
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The Philadelphia '76ers have lost their last 15 games and no one would be surprised if they didn't win again this season. But the big question now is whether all that losing is intentional and whether the league needs to do something about it. Sportswriter Stefan Fatsis joins us now. Hey there, Stefan.
Filmmaker Wes Anderson makes movies that are eccentric, pointedly artificial and, to his fans, very funny. From his early comedies "Rushmore" and "The Royal Tannenbaums," to last year's Oscar-nominated "Moonrise Kingdom," Anderson's movies have looked and sounded different from everyone else's in Hollywood. And critic Bob Mondello says that streak continues with his spoof of extravagant 1930s melodramas. It's called "The Grand Budapest Hotel."