In 1983, Berkeley poet and journalist Mark O'Brien wrote an article about sexual surrogates — women and men trained to help people with disabilities learn to use their bodies to give themselves and others erotic pleasure.
For O'Brien, the subject wasn't academic. After a bout of childhood polio, he had spent much of his life in an iron lung. He could talk, and tap out words on a typewriter holding a stick in his mouth. He could feel things below the neck. But he couldn't move his muscles.
As soon as Sherry Turkle arrived at the studio for her Fresh Air interview, she realized she'd forgotten her phone. "I realized I'd left it behind, and I felt a moment of Oh my god ... and I felt it kind of in the pit of my stomach," she tells Terry Gross. That feeling of emotional dependence on digital devices is the focus of Turkle's research. Her book, Alone Together, explores how new technology is changing the way we communicate with one another.
His public words have inspired millions, but for scholars, his private words and deeds generate confusion, discomfort, apologetic excuses. When the young Thomas Jefferson wrote, "We hold these truths to be self-evident, that all men are created equal," there's compelling evidence to indicate that he indeed meant all men, not just white guys.
Long before singer and pianist Michael Feinstein became famous in his own right, he had the privilege of working closely with legendary songwriter Ira Gershwin, as his archivist and cataloger. In his new book, The Gershwins and Me: A Personal History in Twelve Songs, Feinstein writes firsthand about the musical world of the American composers and brothers, George and Ira Gershwin.
The Budapest String Quartet has always been my standard-bearer for chamber music. I grew up listening to their recordings, and especially admired not only their gorgeous sound, but also the uncanny interaction among all four players, even when there were changes in personnel. They had a way of playing as if they were speaking to each other, expressing deep and sometimes complicated feelings.