Delicate phrasing, with both voice and guitar, has always made Richard Thompson a musician worth hearing — and sometimes even liking on a personal level. For a man who can make such pretty music, it's to his credit that he prefers to show his thorny, stubborn, cranky, even mean side in many of the songs in his solo career.
Originally published on Thu February 14, 2013 3:42 pm
The Dead Sea Scrolls are the ancient manuscripts dating back to the time of Jesus that were found between 1947 and 1956 in caves by the Dead Sea. Since they were first discovered, they have been a source of fascination and debate over what they can teach — and have taught — about Judeo-Christian history. In his new book, The Dead Sea Scrolls: A Biography, Yale professor John J. Collins tells the story of the scrolls, their discovery and the controversies surrounding the scholarship of them.
Saxophonist Rudresh Mahanthappa's quartet can sound like it's cross-pollinating Indian classical music and vintage Captain Beefheart. That befits a bicultural saxophonist who grew up in Boulder, where his Hindu family had a Christmas tree. For a long time, Mahanthappa resisted combining jazz and Indian music — it was almost too obvious a trajectory. But then he got serious about it.
New York Times reporter Scott Shane and colleague Jo Becker reported last year that the Obama administration has a list of terrorists targeted for drone attacks, and that the president personally approves such strikes.
The administration has been trying to keep details of its drone program under wraps, arguing that to make it public could threaten national security. Shane has reported numerous such stories.
Over the past week or so, I've mentioned James Lasdun's new book, Give Me Everything You Have to a bunch of colleagues; they've all heard about it already and they're all dying to read it. What Amy Chua's Battle Hymn of the Tiger Mother was to parenting a couple of years ago, Lasdun's Give Me Everything You Have may well be to teaching: a controversial personal reflection on the professor-student relationship — except Lasdun, unlike Chua, really has no advice to offer; no certitude, nor help for pain.