Follow NPR's All Songs Considered (@allsongs) this weekend for reports and photos from the 2012 Moogfest. Check NPR Music next week for concert recordings from the festival and explore our 2011 archive here.
The presidential candidates may not be talking much about Guantanamo Bay, but the U.S. detention center there has been at the forefront of Michelle Shephard's mind for the last decade. The national security correspondent for the Toronto Star has traveled to Guantanamo Bay, Cuba, more than two dozen times; she even got enough stamps on her Guantanamo Starbucks card for a free latte.
Whenever I hear someone called a "cult writer," my hackles jump toward the ceiling. It's not only that the phrase calls up images of self-congratulatory hipsters, but that writers who become cultish tend to do so because their work is steeped in bizarro sex, graphic violence, trippy weirdness or half-baked philosophy.
Tom Wolfe wrote his new novel, Back to Blood, entirely by hand. But the author of The Electric Kool-Aid Acid Test and The Bonfire of the Vanities also says that wasn't entirely by choice — he'd rather have used a typewriter.
"Unfortunately, you can't keep typewriters going today — you have to take the ribbons back to be re-inked," Wolfe tells Fresh Air's Dave Davies. "There's a horrible search to try to find missing parts."
Stephen Colbert loves music and loves to sing. That's why Fresh Air's Terry Gross asked him to bring a few songs that mean a lot to him and tell her why. For example, as a kid, Colbert discovered his first lesson about character acting through "King Herod's Song" from Jesus Christ Superstar, even though he thought the words were scandalous at first: "Oh, so you are the Christ? You're the great Jesus Christ. Prove to me that you're no fool. Walk across my swimming pool."