One of my favorite professors, the late Ian Watt, taught that there were four great myths of modern individualism: Faust, Don Juan, Don Quixote and Robinson Crusoe. This always got me wondering which, if any, pop-culture heroes might endure in the same way. James Bond? Luke Skywalker? The Avengers? C'mon. In fact, there's only one who I feel sure will last — Sherlock Holmes.
Steve Coll was a managing editor at <em>The Washington Post</em> and a staff writer for <em>The New Yorker</em>. He won a Pulitzer Prize in 1990 for reporting about the Securities and Exchange Commission and in 2004 for his book <em>Ghost Wars: The Secret History of the CIA, Afghanistan, and Bin Laden, from the Soviet Invasion to September 10, 2001.</em><em></em>
In Private Empire, Pulitzer Prize-winning investigative journalist Steve Coll investigates how ExxonMobil has used its money and power to wield significant influence in Washington, D.C., particularly during the Bush administration.
Executives at the company maintained close personal connections with members of the Bush administration — but Coll says the "cliched idea that Exxon-Mobil was just an instrument of the Bush administration's foreign policy — a kind of extension of the American government during the Bush years — is just wrong."
There continues to be a lot of talk about gender bias in the book industry. The core argument goes that, while both male and female authors write novels about relationships and the domestic sphere, when a woman does so her books are relegated to "chic lit," and when a man (like Jonathan Franzen) does, he's lauded for serious literary achievement.
I have to hand it to the Putumayo label. Since it started as a soundtrack-provider to a clothing store in the early '90s, the operation has placed racks of CDs with friendly-primitivist art by Nicola Heindl into Starbucks and Whole Foods everywhere. Putumayo is as responsible as anything for making music buyers ask "Where's the world music section?" in shops or online.
When Sissy Spacek started her film career, she was told to lose her heavy Texas accent. But her famous drawl became one of her greatest assets when Terrence Malick cast her in his 1973 crime drama Badlands.
Spacek played Holly, a teenage girl from South Dakota who became an accomplice on a cross-country murder spree. The film, which also starred Martin Sheen, was narrated in Spacek's distinctive Southern voice.