Chico's story mimics the stories of many Cuban musicians who left Havana and arrived in New York City in the 1940s — a time when musicians like Charlie Parker and Dizzy Gillespie were starting to emerge.
Credit Luna Films
Javier Mariscal (left) and Fernando Trueba directed <em>Chico & Rita</em> along with Tono Errando.
The animated film Chico and Rita is set in 1940s Havana, at a time when Cuban musicians were starting to leave the country and join the jazz scene in New York. It was also a time when musical styles were fusing — and changing the Afro-Cuban jazz scene entirely.
The film tells the story of Chico, one of the best piano players in Havana, and Rita, his sultriest singer. They're lovers, and eventually their migration takes them past New York to Paris — criss-crossing continents to make music while struggling to keep themselves and their relationship afloat.
Carole King initially found it extremely difficult to navigate the social hierarchies of high school. The Grammy Award-winning songwriter was a few years younger than her fellow classmates and was often dismissed as being "cute."
"And it was like, no, I don't want to be cute, I want to be beautiful and smart," she tells Fresh Air's Terry Gross. "And that wasn't happening, and then I connected through music. So music became a way of identifying my particular niche. How lucky for me."
The warmth and vigor of Bonnie Raitt's voice throughout her new album Slipstream, even when she's covering an oldie such as Gerry Rafferty's "Right Down the Line," is vital and fresh — urgent, even. Raitt has always possessed a gift for taking a familiar phrase and rendering it in a manner that compels a listener to think anew about what the words really mean.
Most pitchers in the majors stick to fastballs, curveballs, sliders and change-ups when facing batters at the plate.
But not New York Mets right-hander R.A. Dickey. Dickey is currently the only knuckleball pitcher in a current rotation. At 37, he's also one of the older pitchers in the league and has seen his career — and life — mimic the erratic trajectory of the difficult pitch he throws game after game.