Originally published on Fri July 20, 2012 10:54 am
The canvas is epic, the themes are profound, the execution is ... clunky. Welcome to Christopher Nolan's third and allegedly final Batman picture, The Dark Knight Rises — that so-called rising taking hours, by the way. No Batman film ever had less Batman.
Reporter David Kirkpatrick covered Washington's political scene for many years for The New York Times. But early last year, he decided that he was ready for a change of scenery. Kirkpatrick volunteered to move to Egypt to become the Times' Cairo bureau chief — and boy, was his timing good.
The jazz musician Ravi Coltrane, 47, didn't make his burden any lighter by choosing to play tenor and soprano saxophones — the same instruments his father, John Coltrane, indelibly stamped with his influence.
Ravi knew early he needed his own voice. On tenor, he has his own ways of bending and inflecting a note, applying flexible vibrato. Even when his noble sound bears witness to his heritage, Ravi Coltrane can draw on his father's language and make it his own.
In April, the Vatican announced that three American bishops (one archbishop and two bishops) would be sent to oversee the Leadership Conference of Women Religious, a member organization founded in 1956 that represents 80 percent of Catholic sisters in the United States, to get them to conform with the teachings of the Church.
Originally published on Mon July 16, 2012 11:16 am
Aaron Sorkin's new HBO drama The Newsroom follows the inner workings of a fictional cable network trying to challenge America's hyperpartisan 24/7 news culture. It's a typical Sorkin drama, complete with fast-paced dialogue, witty scenes and a strong ensemble cast.
So why a newsroom?
"It suits my style," he tells Fresh Air's Terry Gross. "I like writing about heroes [who] don't wear capes or disguises. You feel like, 'Gee, this looks like the real world and feels like the real world — why can't that be the real world?' "