Jim Yardley is a Pulitzer Prize-winning journalist who has served for eight years as a <em>New York Times</em> foreign correspondent and bureau chief in China and India. He is also an avid basketball fan.
"Linsanity" is the magical byword of this basketball season. As anyone who is even semi-conscious knows, Jeremy Lin, the NBA's first Taiwanese-American player by way of Harvard, was passed over for college athletic scholarships and ignored in NBA drafts. Then, he landed with the New York Knicks and has since proved to everybody that athletic prejudice against Asians is Lincredibly stupid. Except, as journalist Jim Yardley points out in his new book on basketball fever in China, Chinese players and coaches happen to endorse that prejudice.
Unlike Ebola, which infects and kills people quickly — and then disappears just as quickly — the HIV epidemic has become so good at killing people in part because it moves so very slowly, says journalist Craig Timberg.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
The Singing Detective is the story of a writer of pulp-fiction novels, hospitalized for a horrible skin condition that has his entire body flaking and raw, and his mind slipping in and out of fever dreams.
Some of those hallucinations have the people around him breaking into song, or shifting into other places and times and characters, or both. He tries to maintain his sanity by rewriting, in his head, one of his old novels into a Hollywood screenplay — and, in his mind, he's the healthy, good-looking protagonist — the singing detective.
<strong>Orange You Glad We Wound Up Here? </strong>George (Paul Rudd) and Linda (Jennifer Aniston) play an unemployed Manhattan couple who stumble into a hippie farming commune whose denizens include characters played by Justin Theroux and Alan Alda.
Credit Gemma La Mana / Universal PIctures
The Elysium Bed and Breakfast where Linda and George land contains a motley assortment of hippies who look like they've come directly from a time capsule.
In sophisticated comedy, what's funny is the tension between proper manners and the nasty or sexy subtext. Whereas in low comedy, there are no manners, and the nasty or sexy subtext is right there on the surface.
And then there's Wanderlust, in which the subtext is blasted through megaphones — the characters say so insanely much you want to scream. The satire is as broad as a battleship and equally bombarding. But it takes guts to do a comedy this big without gross-out slapstick, and the writers and the actors are all in.