Jimmy Fallon says he spends almost 12 hours each day at the <em>Late Night </em>offices, which makes the rest of his life difficult. "If I want to play video games now, I have to schedule it," he tells Terry Gross.
Sometimes the stories that stay with us aren't the classics or even all that polished. They're what some critics call "good-bad" stories: the writing may be workmanlike and the characters barely developed, but something about them is so potent that they're unforgettable, so unforgettable they can attain the status of myth.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
At festivals and in interviews, Pedro Almodovar is such a furry cuddle bear that it's possible to forget what a perverse filmmaker he can be — that is, until you watch something like his nasty new gender-bent Frankenstein picture, The Skin I Live In. It's a self-conscious, madly ambitious work, rife with allusions to countless other films. But does it have a soul? I couldn't detect one amid all its borrowed tropes.