Fresh Air with Terry Gross

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The Peabody Award-winning weekday magazine of contemporary arts and issues.

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Fresh Air Weekend
1:19 am
Sat November 5, 2011

Fresh Air Weekend: Tom Waits, Bill Nighy

Tom Waits
James Michin III courtesy of the artist

Originally published on Sat November 5, 2011 1:23 am

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:

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Music Reviews
10:36 am
Fri November 4, 2011

Julius Hemphill's 'Dogon A.D.' Still A Revelation 40 Years On

Julius Hemphill's Dogon A.D.
Courtesy of the artist

Originally published on Fri November 4, 2011 2:03 pm

Julius Hemphill's "Dogon A.D." — the 15-minute piece, and the album that's named for it — was one of the startling jazz recordings of the 1970s, a rethinking of possibilities open to the avant-garde. In the 1960s, free jazz was mostly loud and bashing, until some Chicagoans began playing a more open, quieter improvised music. That inspired St. Louis players like Hemphill, who also had ties to heartland rhythm-and-blues scenes. Hemphill's genius was to combine the Chicagoans' dramatically spare sound with a heavy backbeat. His new urban music smacked of old country blues.

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Movie Reviews
12:54 am
Fri November 4, 2011

'Crazy' In Love, And Feeling Every Moment Of It

In Drake Doremus's drama Like Crazy, the lovestruck Jacob (Anton Yelchin) and Anna (Felicity Jones) are forced to separate when Anna violates the terms of her student visa.
Fred Hayes Paramount Vantage

Movies are often about falling in love and sometimes falling out of love, but the best for my money are about falling in and out of love in a way you'd need a higher order of physics to graph. That higher physicist could start with Drake Doremus's drama Like Crazy, which evokes as well as any film I've seen the now loopy, now jagged flow from infatuation to intoxication to addiction to withdrawal to re-addiction. It's not an especially deep or psychological movie. It's just crazy painful.

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Music Reviews
11:07 am
Thu November 3, 2011

Kelly Clarkson's Vocals Keep Getting 'Stronger'

Kelly Clarkson.
Harper Smith

Like a lot of successful American Idol contestants, Kelly Clarkson made her reputation as a belter — as someone who could project to the rafters and rouse a crowd — which doesn't necessarily translate into good pop singing. Ever since Bing Crosby started using the microphone as an instrument for achieving intimacy and nuance, the idea of delivering popular song as operatic aria is a flawed strategy. But everybody loves an anthem, right?

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Book Reviews
8:57 am
Thu November 3, 2011

A Critic To Remember: Pauline Kael At The 'Movies'

Pauline Kael was a film critic for The New Yorker from 1967 to 1991, as well as the author of several books, including I Lost It at the Movies and For Keeps: 30 Years at the Movies.

AP

Originally published on Thu November 3, 2011 11:16 am

To quote the immortal title of her 1965 collection of movie reviews, Pauline Kael may have "lost it at the movies," but she infinitely renewed her wide-eyed wonder as a moviegoer in her essays for The New Yorker magazine. Kael was no virgin as a critic when she started writing for The New Yorker in 1967 — but when she loved a movie, she always wrote like she was being touched for the very first time.

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