Originally published on Thu October 6, 2011 10:30 am
When computer visionary Steve Jobs died Wednesday, many people felt a sense of personal loss for the Apple co-founder and former CEO. Jobs played a key role in the creation of the Macintosh, the iPod, iTunes, the iPhone, the iPad — innovative devices and technologies that people have integrated into their daily lives.
Jobs, 56, had waged a long battle with pancreatic cancer. He had a liver transplant in 2009, and stepped down as Apple's CEO in August. Below are excerpts from Jobs' 1996 interview with Fresh Air's Terry Gross.
When the Fox series 24 wrapped in 2010, TV producer and writer Howard Gordon didn't take a break. He drove directly from 24's soundstage to a coffee shop and began working on his next project, Homeland.
The Showtime drama, which premiered Oct. 2, is about a POW named Nicholas Brody (Damian Lewis) who comes home from Iraq and is accused by a CIA agent (played by Claire Danes) of being a spy for al-Qaida.
Nowadays, Gigi Gryce is not as well remembered as he might be, given his crafty composing and tart playing. He's one of a few alto saxophonists who came up with their own styles after absorbing Charlie Parker's fleet swing, unvarnished tone and knack for quoting other tunes while improvising. Gryce had plenty of ideas as a player and a writer, and he'd pack a lot of them into a short solo.
The documentary Prohibition is the latest PBS multi-part presentation by Ken Burns. He and his filmmaking partner, Lynn Novick, aren't just riding the Boardwalk Empire train here – their story begins a full hundred years before Prohibition began in the 1920s. In fact, they spend the entire first installment explaining how alcohol became a wedge issue, and how religious conservatives, woman suffragists and other groups all used it to gain political power.
This interview was originally broadcast on September 9, 2010. Freedom is now available in paperback.
Jonathan Franzen's new epic novel Freedom is a portrait of a Midwestern suburban family — two parents and two children slowly losing track of each other and themselves. It has been called a "masterpiece of American fiction" by Time Magazine and "an indelible portrait of our times" by Michiko Kakutani in The New York Times.