This is FRESH AIR. I'm Terry Gross. The CIA and the military have been transformed in ways that have blurred the boundaries between them. The shape of the new military intelligence complex is the subject of my guest Mark Mazzetti's new book, "The Way of the Knife." He writes: The CIA is no longer a traditional espionage service, devoted to stealing the secrets of foreign governments. The CIA has become a killing machine, an organization consumed with man-hunting.
In 1955, John R. Cash was a sometime auto mechanic, sometime appliance salesman who liked to play the guitar and sing, mostly gospel songs. The "R" in his name didn't stand for anything — and, in fact, he'd been named J.R. at birth and had to come up with "John" when he joined the Air Force. He'd spend the rest of his life reinventing himself.
For years, Jherek Bischoff has played in indie-rock bands, including Amanda Palmer's Grand Theft Orchestra. But on his new album, Composed, he found himself moving away from a rock sound and writing his own orchestral arrangements.
Mental is madder than madcap. I heard one critic sniff, "It's kind of broad" — and, Your Honor, the defense agrees! But if broad means "unsubtle," it doesn't have to mean "unreal." Mental makes most other movies seem boringly, misleadingly sane.