Director, producer and screenwriter Robert Zemeckis is known for the Back to the Future films — which marked his arrival onto the Hollywood scene in the mid-1980s — as well as Who Framed Roger Rabbit and Forrest Gump. His latest film, Flight, stars Denzel Washington as William "Whip" Whitaker, a heroic airline pilot with a dark secret.
Writing for the New York Review of Books at the beginning of November, Robert Malley, the program director for the Middle East and North Africa with the International Crisis Group, and Hussein Agha described the current situation in the Middle East:
Buddy Miller and Jim Lauderdale are singer-songwriters who've each written hits for country and rock acts, and have enjoyed extensive solo careers as performers and producers. Buddy and Jim is their first collaboration, a mixture of original songs and covers from earlier decades of country, rock, folk and soul music.
In December 2009, a would-be terrorist boarded a plane for Detroit with a bomb in his underwear. While the explosive failed to properly ignite and the man was arrested upon landing, the ensuing investigation revealed the bomb in question had been made by al-Qaida leaders in Yemen.
This attempted act of terrorism heralded both the small Arabian country's re-emergence into the international consciousness as a refuge for al-Qaida and the ascendance of al-Qaida in the Arabian Peninsula (AQAP), developments that have grown only more pronounced since.
I never heard of the Baroque composer Agostino Steffani until last year, when the Boston Early Music Festival presented the North American premiere of Steffani's Niobe, an opera about the mythical queen who bragged so much about her many children, the gods killed them all in revenge. One of the leading roles, Niobe's husband King Amphion, was played by the early-music superstar countertenor Philippe Jaroussky, who sang the opera's most sublime aria — a hymn to the harmony of the spheres. I couldn't wait to hear Jaroussky again, and was eager to hear more Steffani.