Children's-book writer Maurice Sendak learned a lot from author and artist Tomi Ungerer. In Far Out Isn't Far Enough, a new documentary about Ungerer, Sendak says, "I learned to be braver than I was. I think that's why [Where The Wild Things Are] was partly Tomi — his energy, his spirit.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians and often includes excerpts from live in-studio concerts. This week:
For at least as long as there have been Fall Preview issues of TV Guide, there's been a sense of optimistic excitement about the start of new television series. But more recently, producers of long-running TV shows have injected excitement into the ends of their programs' life spans as well. By announcing, in advance, that a show is going into its final season, no matter what, it ups the emotional ante on what to expect — and, with a finite end in sight, what might happen.
Carole King initially found it extremely difficult to navigate the social hierarchies of high school. The Grammy Award-winning songwriter was a few years younger than her fellow classmates and was often dismissed as being "cute."
The decade of the 1980s — when major corporations made their presence more felt in Hollywood — was for all kinds of reasons a low point in American moviegoing. But two beacons abroad, Pedro Almodovar and Neil Jordan, reminded us with movies like Law of Desire, Women on the Verge of a Nervous Breakdown and Mona Lisa how films could be personal and still reach a large (or large-ish) audience.
Thirty years later, we have Almodovar's I'm So Excited and Jordan's Byzantium — and these directors are still shining a light.