Mindy Kaling says she loves romantic comedies, even though she wrote last year in The New Yorker that saying so "is essentially an admission of mild stupidity."
Her new Fox TV show, The Mindy Project — which she created, stars in, writes and runs as co-executive producer — is essentially a serialized romantic comedy, where each week, viewers can check in with the character to see how her life is going, Kaling says.
Except she hopes her show is "actually funny," she tells Fresh Air's Terry Gross.
Albums made by collections of professional studio players once had a bad reputation with the traditional rock audience. Such works were supposedly arid and chilly — more like the results of a board meeting than the recorded adventure of an organic group of fabulous friends. Some music fans may still feel that way, but they are few. Nowadays, a tight-knit gaggle of session musicians like the Analog Players Society gets points from traditionalists simply because the music is made by flesh and blood.
Given the glut of autobiographies, a provocative subject alone isn't enough to snag a reader's attention, although, admittedly, the title of Charles Rowan Beye's new memoir, My Husband and My Wives, is certainly arresting. It's Beye's charming raconteur's voice, however, and his refusal to bend anecdotes into the expected "lessons" that really make this memoir such a knockout.
Beye won me over in his "Introduction" when he admitted that, looking back at the long span of his life — he's now over 80 — the big question he still asks himself is, "What was that all about?"
Journalist Robert Draper says the 27th Congressional District in South Texas looks like a Glock pistol. It's just one of several "funny shapes" you will see in states across the U.S. as a result of the redrawing of congressional boundaries — otherwise known as redistricting.
"These maps can be very, very fanciful — they're these kinds of impressionistic representations of the yearnings and deviousness of politics today," Draper tells Fresh Air's Dave Davies.
If you listen to the music on Charmer, hearing Aimee Mann's vocals as just another lilting instrument, you'd probably think the album was just what the title suggests: a charmer. The melodies have an airy quality, at once floating and propulsive, and even without fixing on the words, you can hear that they're metrically precise, with carefully counted-out syllables and tight rhymes.