You might think that actor Irrfan Khan — the co-star of the special effects-filled film Life of Pi -- performed his scenes by himself, or with inanimate objects that would later be transformed via CGI. Not so: As the older Pi in Ang Lee's new adaptation of the best-selling novel, Khan went back to the basics.
He tells Fresh Air's Terry Gross that he thinks of scenes as being like duets: "You strike a note, and somebody responds, and then you respond accordingly," Khan says.
Edward Blum studies the history of race and religion in the U.S., and is a professor at San Diego State University. His previous books include <em>W.E B. Du Bois: American Prophet </em>and <em>Reforging the White Republic.</em>
What did Jesus look like? The many different depictions of Christ tell a story about race and religion in America. Edward J. Blum and Paul Harvey explore that history in their new book, The Color of Christ: The Son of God and the Saga of Race in America. The book traces how different races and ethnic groups claimed Christ as their own — and how depictions of Jesus have both inspired civil rights crusades, and been used to justify the violence of white supremacists.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
The best thing about David O. Russell is that he cultivates his disequilibrium. In Silver Linings Playbook, his hero is disturbed and his heroine possibly more so, and his other characters have a grip on reality that is only marginally more secure. Russell might have made them seem the dreaded "q" word — quirky — and OK, he does, a bit, at the end, which broadly conforms to the rom-com template. But until then, Bradley Cooper's Pat Solatano is someone you'd be less likely to dream about than get a restraining order against.