It's not unusual for poets to try their hands at pop music-making. Patti Smith was a poet before she was a rock star. In recent years, print-poets such as David Berman and Wyn Cooper have put out more-than-credible song collections. But Mary Karr, known more for prize-winning memoirs such as The Liars Club and Lit than for her excellent poetry, has taken a high-profile risk that's paid off.
A dark and stormy night; an isolated manor house; a knock at the door. These are the surefire elements that have kept Agatha Christie's play The Mousetrap creaking continuously on the London stage ever since its premiere in 1952. And these are the very same elements that make Sadie Jones' new novel, The Uninvited Guests, such a delicious romp to read.
Neil Young and Crazy Horse's latest project — their first together in nine years — is an album featuring American folk songs and the tunes many of us learned as children, performed with grit, wit and a whole lot of electric guitar.
Drummer Mike Reed put together his quartet People, Places and Things to play music by their 1950s forebears. But it makes sense that, after a few years together, they'd also play later pieces, tracking the evolution of Chicago jazz on a new album titled Clean on the Corner. One dividend of their repertory work is that it inspires Reed to write his own tunes in the same spirit, like "The Lady Has a Bomb."
A new expose by The Times-Picayune of New Orleans calls Louisiana the "world's prison capital."
The state imprisons more people per capita than any other state or country in the world, with one out of every 86 adults behind bars. Its rate of incarceration is three times higher than Iran's and 10 times higher than Germany's.
How did Louisiana double its prison population in the past 20 years? And what differentiates it from other states?