Geography is destiny in Jhumpa Lahiri's new novel, The Lowland. Her title refers to a marshy stretch of land between two ponds in a Calcutta neighborhood where two very close brothers grow up. In monsoon season, the marsh floods and the ponds combine; in summer, the floodwater evaporates. You don't need your decoder ring to figure out that the two ponds symbolize the two brothers — at times separate; at other times inseparable. But there's still more meaning lurking in this rich landscape.
In April 2009, Somali pirates boarded an American-flagged container ship and took its captain, Richard Phillips, hostage on a small lifeboat. That led to a five-day drama at sea, much of it covered on television, as a U.S. Navy destroyer tailed the lifeboat and Navy SEAL sharpshooters eventually freed the captain. In 2010 Phillips wrote a memoir called A Captain's Duty and the harrowing experience has now been adapted into a film called Captain Phillips.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
In a season in which we're all talking about AMC's phenomenal Breaking Bad and Netflix's elating Orange Is the New Black, Hollywood needs you, your kids and everyone in Europe and China to get out from behind those TV monitors and into theaters. Movie studios are falling behind on compelling narratives. But they can give you what TV can't: absolute, total bombardment.