And now it's time for Back Talk. That's where we lift the curtain on what's happening in the TELL ME MORE blogosphere. Usually, our editor Ammad Omar, joins me, but somebody let him have the day off. Go figure. So I'll be shepherding this one.
I'm Michel Martin, and this is TELL ME MORE, from NPR News. Coming up, we'll hear why some analysts are calling Mali, of all places, the Afghanistan of Africa. We'll ask NPR's West Africa's correspondent Ofeibea Quist-Arcton about why this formerly stable democracy has so many in the region on edge. We'll have that conversation in just a few minutes.
I'm Michel Martin, and this is TELL ME MORE, from NPR News. Coming up, we will meet an American filmmaker whose film about her Tanzanian father and Korean mother bring a global twist to this weekend's Asian-American International Film Festival. We'll hear more about her and her film in just a few minutes.
You might wonder why a film about the Asian-American experience being featured in the Asian-American International Film Festival that kicked off in New York City last week features a lengthy journey to Tanzania and emotional conversations about issues like force marriage and the rights of women in Africa. That's because, as filmmaker Eliaichi Kimaro shows, the personal histories of many young people these day are not just multiracial and multiethnic, but global, but even then can leave them wondering where they fit in.
Now we'd like to take closer look at how losing power can grind a country to a halt. This week, India has been dealing with what is being called the world's worst blackout. Major power outages this week left well over 600 million people in the dark. Coal miners were trapped. Hospitals struggled with backup generators, and transportation was a mess, which had this man complaining to Al Jazeera International.