It’s easy to say Elvis Presley had a career run of good luck as he headed into the sixties. From his first Sun Records single, he created a stir, and fostered a following that would set records and inspire a new youthful direction in the whole sphere of entertainment. But any carny worth his salt can read people like a book, and Presley’s manager Col. Tom Parker was perhaps the greatest since Barnum. In the new decade, he set new course was based on making movies that made money, fulfilling the RCA Records contract, and keeping Elvis off the TV and tour bus.
In the summer of 1993, the vocal group SWV was cruising along at number one with their song “Weak,” when a reggae band from England bumped them out of the top spot with a remake of a 60‘s classic. UB40 hit the top with a noted tune from a movie featuring a big name singer set in Hawaii from 31 years earlier. In turn, that movie drew its title and theme song from another movie featuring a big name singer which was also set in Hawaii, filmed 25 years before that.
As 1961 dawned, It was back to the ballads for Elvis Presley. Since his return from the Army, Elvis had topped the charts with a song based on the late 19th century melody “O Sole Mio,” transliterated into “It’s Now Or Never.” The same session revived a 1920’s love song, “Are You Lonesome Tonight?” So when Presley went to RCA’s Nashville studio in late October, 1960, along with the gospel tunes lined up for his first religious-themed album, His Hand In Mine, he brought a new treatment of another Italian classic.
In 1960, America was on the verge of exploring the new frontier, getting ready to pass the torch to a new generation. Who would imagine that two of the year’s biggest hit melodies would be written in 1898 and 1926? And, who would imagine that they would both be recorded in the same session?