otis redding

7:12 am
Fri December 27, 2013

Otis Wows 'Em Out West

Otis Redding

What do the records “California Dreaming” and “The Rain the Park and Other Things” have in common? Besides being the first big hits for their respective bands, The Mamas & the Papas and The Cowsills, they generated lots of money for songwriters, John Phillips and Artie Kornfeld. Those songwriters would eventually fund two of the major rock music festivals of the 1960s: Monterey Pop and Woodstock.

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The Memphis Sound
11:46 am
Mon July 8, 2013

Aretha Gets Her Propers

Aretha Franklin and Jerry Wexler

Reverend C. L. Franklin was no stranger to the recording business.  In fact, he was a pioneer in using broadcast and recorded media to expand the reach of his pulpit out into the world. His daughter, Aretha, was also no stranger to the business of recording as she grew up.  Born in Memphis, she followed as her father’s gifts and calling moved the family from New Salem Baptist Church, first to Friendship Baptist in Buffalo, New York, then to New Bethel Baptist in Detroit.

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The Memphis Sound
7:46 pm
Wed July 11, 2012

Giving Otis His Propers

Coming off of the biggest chart success of his career to date, “I’ve Been Loving You Too Long,“ Otis Redding reeled off two 1965 singles which included songs destined to become iconic tunes, not for Otis, but for the acts which covered them later.

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The Memphis Sound
7:35 am
Tue June 26, 2012

The Chronicle Of Isaac, Samuel, And The Two Davids

Isaac, David and Samuel are familiar names to biblical scholars, and not at all unfamiliar to faithful fans of the funky sound that emanated from the Stax studio on McLemore.

Sam and Dave came to Stax in an arrangement with Atlantic Records. The duo viewed it as punishment, but it would be the best thing that ever happened to their careers.

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The Memphis Sound
6:24 am
Tue February 28, 2012

By The Way, There's This Guy In The Band Who Sings...

You could probably fill the Mid-South Coliseum with the folks who say they saw Jimi Hendrix play the Ellis Auditorium in April, 1969. The spectacle of the left-handed guitarist who played an upside-down right-handed guitar did not disappoint the folks who plunked down their 3, 4, 5, or 6 dollars for a seat in one of the two

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