David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
11:28 am
Fri November 23, 2012

A Boy, A Boat, A Tiger: Reflecting On 'Life Of Pi'

Pi Patel (Suraj Sharma) begins a journey of personal growth and spiritual discovery after being lost at sea.
20th Century Fox

Originally published on Fri November 23, 2012 12:54 pm

Director Ang Lee has a surprising affinity for the Indian hero of Life of Pi — that's his name, Pi, and he's seen at several ages but principally as a 17-year-old boy adrift on a lifeboat in the South Pacific. He's the lone survivor of a shipwreck that killed the crew, his family and a variety of zoo animals his father was transporting to North America for sale.

Actually, Pi is the lone human survivor. He shares his boat and its dwindling food supplies with a man-eating Bengal tiger.

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Movie Reviews
11:16 am
Fri November 16, 2012

In 'Silver Linings Playbook,' Lawrence Is Golden

Jacki Weaver and Chris Tucker also help round out a team of actors who score a touchdown with the critics.
The Weinstein Co.

Originally published on Fri November 16, 2012 2:14 pm

The best thing about David O. Russell is that he cultivates his disequilibrium. In Silver Linings Playbook, his hero is disturbed and his heroine possibly more so, and his other characters have a grip on reality that is only marginally more secure. Russell might have made them seem the dreaded "q" word — quirky — and OK, he does, a bit, at the end, which broadly conforms to the rom-com template. But until then, Bradley Cooper's Pat Solatano is someone you'd be less likely to dream about than get a restraining order against.

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Movie Reviews
10:53 am
Fri November 9, 2012

Historical, Fictional Icons Take To The Big Screen

Daniel Craig stars as the quintessential MI6 agent, James Bond, in Skyfall. The Bond franchise is 50 years old this year.
Francois Duhamel Sony Pictures

Originally published on Fri November 9, 2012 12:52 pm

Two icons, Abraham Lincoln and James Bond, make triumphant appearances this week in movies with more in common than you'd expect. True, Lincoln is a titan of history, liberator of slaves, and as such an adversary of Western colonialism, while 007 is an outlandish stereotype embodying white male Western authoritarian power. But the makers of these films do a sterling job of testing their respective subjects in front of our eyes — before pronouncing them fit to carry on in our collective imagination.

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Movie Reviews
1:43 pm
Fri October 26, 2012

'Cloud Atlas': You're Better Off Reading The Book

Zachry and Meronym are only two of the combined 12 characters Tom Hanks and Halle Berry play in Cloud Atlas. It is a challenge that bests both actors, according to David Edelstein.
Jay Maidment Warner Bros.

First I need to talk about the book, because it's not as if Cloud Atlas the movie came from nowhere — and if you think it's only the movie you want to know about, I think you need a context for what's onscreen.

Author David Mitchell writes exquisite pastiches, and Cloud Atlas is in the form of six distinct and enthralling novellas set in six different eras with six different literary styles.

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Movie Reviews
9:51 am
Fri October 19, 2012

'The Sessions': Sex, Comedy And Something More

Living most of his life in an iron lung forces Mark O'Brien (John Hawkes) to see the world from a different point of view.
Fox Searchlight

Originally published on Fri October 19, 2012 9:53 pm

In 1983, Berkeley poet and journalist Mark O'Brien wrote an article about sexual surrogates — women and men trained to help people with disabilities learn to use their bodies to give themselves and others erotic pleasure.

For O'Brien, the subject wasn't academic. After a bout of childhood polio, he had spent much of his life in an iron lung. He could talk, and tap out words on a typewriter holding a stick in his mouth. He could feel things below the neck. But he couldn't move his muscles.

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