Tom (Jason Segel) and Violet (Emily Blunt) celebrate their impending nuptials with their families before Violet drops a bomb: She's been accepted at a program at the University of Michigan, and wants to move there and postpone their wedding day.
Credit Universal Pictures
Tom, ever the devoted fiance, agrees to postpone the wedding day as life continues to throw obstacles in the couple's way.
There are many dramas and comedies in which career trajectories take couples to different corners of the country, complicating or ending romantic relationships. There will be many more, at least until someone invents a teleportation machine. What's different about each work is how the problem gets interpreted.
"Difficult" is probably the most tactful word one could use in characterizing Lillian Hellman. If ever there were an author safer to meet through her art rather than in real life, she was the one. Born in New Orleans into a Jewish family, Hellman came of age in the Roaring '20s, liberated by flappers and Freud. Hellman drank like a fish, swore like a sailor and slept around like, well, like most of the men in her literary circle, chief among them Dashiell Hammett, with whom she had an open relationship spanning three decades. She was, recalled one observer, a "tough broad ...
Americans generate more trash than anyone else on the planet: more than 7 pounds per person each day.
About 69 percent of that trash goes immediately into landfills. And most landfill trash is made up of containers and packaging — almost all of which should be recycled, says Pulitzer Prize-winning journalist Edward Humes,
"It's instant trash," he says. "We pay for this stuff, and it goes right into the waste bin, and we're not capturing it the way our recycling programs are intending us to capture it. We're just sticking it in the ground and building mountains out of it."