Producers Neil Meron and Craig Zadan have been making musicals together for almost 20 years. They're the team behind movie musicals like Hairspray, Chicago and Annie, and the TV musicals Gypsy and The Music Man.
Now Meron and Zadan have teamed up once again on the new NBC series Smash, a drama that goes behind the scenes as a motley crew of creative types put together a Broadway musical based on the life of Marilyn Monroe.
In my family, we referred to them as "the brisket brigade" — those single ladies of a certain age who began bombarding my brother-in-law with casseroles and commiseration soon after my sister-in-law died. It's a cruel fact of life that nobody plies widows with months of home-cooked meals and baked goods; as Jonathan Swift might have modestly proposed, widows might as well eat each other — there's a surplus supply of them, anyway. But, a new widower gets the Crock-Pots and the romantic fantasies all fired up.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Nick Nolte plays a horse owner who spent most of his career working as a horse trainer in <em>Luck</em>.
HBO's new drama <em>Luck</em> is set at a California racetrack. Dennis Farina (left) co-stars with Dustin Hoffman, who plays Chester "Ace" Bernstein, a newly released felon with a penchant for thoroughbreds.
It isn't a long shot that David Milch's newest series for HBO, called Luck, will be on par with his HBO series Deadwood. It's a sure thing. HBO sent out all nine episodes of the show's first season for preview, so there's no guesswork here.
For someone who has spent the majority of his career making comedies, Woody Allen sees the world — and his lifelong profession — through a surprisingly dark lens.
"Life is a terrible trial, and very harsh and very full of suffering ... [Film] is a different kind of pain. Making a movie is a great distraction from the real agonies of the world," Allen tells Terry Gross.