Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
On Monday, HBO presents the premiere of Six by Sondheim, a new TV special that's part biography, part music-appreciation lesson and part performance piece. It's all about the life and music and lyrics of Stephen Sondheim, in which he explains, among many other things, how and why he became a musical theater composer and lyricist, and the inspirations for some of his most familiar songs. If you're new to the works of Stephen Sondheim, this TV special should entice you. If you're already a fan, it should delight you.
The films of Joel and Ethan Coen pose a challenge: How do we reconcile their wildly disparate tones? Consider O Brother, Where Art Thou?, a burlesque of Homer's Odyssey centering on three stumblebums — but with a soundtrack assembled by T Bone Burnett of heartfelt historical gospel and country music. Ditto The Ladykillers: venal idiot characters, soaring African-American spirituals. The ridiculous and the sublime sit side by side, with no spillover.
Some years ago, I wrote a poem called "Why I Love Vermeer," which ends "I've never lived in a city without a Vermeer." I could say that until 1990, when Vermeer's exquisite painting The Concert was one of the masterpieces stolen from Boston's Isabella Stewart Gardner Museum. It's still missing.